Category Archives: Storytelling

Enhanced SOTU 2015

Many of you know that I’m a big fan of a little-noticed addition our President has made to the age-old tradition of the State of the Union address. The White House has recognized the visual, media-hungry, short attention span society we have become and has responded by adding slides to the President’s annual address of Congress and the nation.

No, there are no screens behind the President, and if you watch on TV, you won’t see the slides. But if you watch online in real-time or afterward, you can view the Enhanced State of the Union that includes composite video of the President and a sidebar of vertical visuals (slides) that hit key points of the President’s speech.

As usual, not every slide is perfect (really, they have got to lose the red text over blue backgrounds…), but I have noticed the visuals getting better each year. And what I noticed most of all this time was an increased use of imagery. The slides continue to become simpler and more effective for communicating their message in fractions of a second.

And if you just want to view the slides, they are on SlideShare.

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Book Review: The Presentation Lab by Simon Morton

The Presentation Lab makes very clear upfront that readers will not learn how to create more visually appealing or better designed slides. And while this is one of the more illustrated business books I’ve read in a while, it just isn’t about the visual side of effective presentations, but rather what needs to go into a presentation’s intent, structure and story creation.

After busting some presentation myths (such as the 10/20/30 rule), the book launches into a discussion of storytelling for the sake of your audience and stresses the fact that a presentation must be about the audience first, foremost and always. Okay, audience-focused presentation is nothing new, but what The Presentation Lab brings to the table is what I think is the most solid of nuggets in the book: The Audience Heat Map. Morton identifies three essential audience types (which are not mutually exclusive) and then shows how to craft a presentation specific to a unique audience. Examples and case studies are used to show how to appeal to audiences that may be factual, visionary and/or emotional. Even if you put the book down at this point and began incorporating this thinking, you’ll find yourself creating better presentations.

The book then moves onto story flow, although I do wish there continued to be more examples and case studies of this topic as there were with audience identification. There is a valuable discussion of simplicity and some wonderful simple arguments for the same: is you message simple enough to be shared with others?

The book reads quickly, and is witty (“rumor has it Churchill was rubbish at PowerPoint”), but being more of a system (though thankfully a well-thought out and simplified one), it’s harder to skim or to jump around. What Morton makes clear throughout, however—and really brings home with some appropriate client stories and case studies from his firm Eyeful Presentations—is that this disciplined approach is not for the careless or extremely time-crunched presenter. A deliberate approach to creating a successful presentation doesn’t have to mean endless hours of storyboarding, sticky notes and outlining, but it does require attention to one’s audience and one’s goals. If you’re willing to meet the Presentation Lab halfway there, I think this is an excellent book that has the potential to dramatically improve the effectiveness of one’s presentations. If you are like many of Eyeful’s clients, and are genuinely serious improving your presentation and not just making pretty pictures, give it a careful read. If you just want pretty slides, look elsewhere.

What do I think is missing? I would have loved to have seen more examples of what Morton considers successful slides. For example, in declaring the Presentation Zen style a busted myth, it would have been great to have seen some actual visual counter-examples. And while certain one-off topics do seem on-topic, the very brief discussions of data, infographics and stock imagery still struck me as not quite part of the organic whole. But that’s just me quibbling.

I had been looking forward to the book for quite some time, and I was not disappointed. I think it’s a valuable addition to the bookshelf of any serious presenter and presentation creator.

Buy it here!

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Categories: Books, Simplicity, Storytelling.

What is Corporate Visual Storytelling?

What is visual storytelling in a corporate environment?

Product photos on a consumer brand Facebook page? An annual report rendered as an infographic? The holy grail viral marketing video shot by the summer intern (or very expensive hipster digital agency)?

Lululemon, the recently embattled yoga wear brand, just hired Laurent Potdevin as their new CEO. The company has struggled recently under some bad press for corporate practices, embarassing statements by leadership and even product recalls. 

Lululemon is hoping that Potdevin, a former leader at Luis Vuitton, Burton snowboards and Toms shoes will turn the corporate fortunes and reputation around. And to introduce him to customers and shareholders, they released a simple, but well-produced video that is pure visual storytelling.

I love it.

Visual storytelling was much of what I helped Edelman raise the bar on during my years at the company. Many of you know that I recently left the PR firm to start my own consultancy. If you would like to learn how I am now working with other organizations to improve their visual communications, drop me a line

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The New Multimedia Storytelling

It’s not news that people all over are experimenting with how to tell more visual stories online and on screens. One might say that this has been going on since the birth of the personal computer and then the internet, but there is definitely a new age just beginning. I think Nancy is at the forefront in her way, but I would have to say that the New York Times is leading the pack in their way. They are still the masters at visual journalism and visualizing data, but they have also been experimenting with multimedia storytelling for longform articles. It started with a story called Snow Fall, and has been followed up with similar (and in my view more successful) pieces such as The Jockey and A Game of Shark and Minnow.

Snow Fall, which the New York Times worked on supposedly for a whole year, received a lot of praise and criticism, and in the end the consensus is that it wasn’t entirely successful. But that’s not the point. It’s the experimentation and the willingness to explore new storytelling techniques that is keeping The New York Times and people like Nancy Duarte at the forefront. 

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visual training presentation