VizThink NYC

Last week I finally had the opportunity to attend a VizThink workshop. VizThink is an organization that advocates and teaches visual thinking.

This event, “The Power of Visual Communication” was hosted and run by Todd Cherches and Steve Cherches of BigBlueGumball, and it was a fun evening involving VizBiz Pictionary, VizProvisation and visual notetaking. Here are my visual notes taken while listening to MLK’s “I Have a Dream” speech. (A presentation, by the way, that has a GREAT bumper sticker.)

Here are some more pics from the event courtesy of MJ Broadbent, Managing Director at VizThink.

And Amanda Lyons took live graphic notes from the event and has posted her work here. Thanks, Amanda!

 

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The Power of The One Pager

My company recently overhauled our employee review process, and the most striking thing about the change is the main employee evaluation document: What was once 4-5 pages of multiple metrics and ratings is now one single, well-designed 8.5 x 11 sheet. Our HR department reduced the questions and metrics, but in doing so has made the process far more understandable, focused and effective for all. One now has an instant birds’ eye view with one glance.

It’s human nature when producing an important document to think that more text will equal greater import. But all you have to do is look at three of the most famous “one-pagers” from US history to see that one page can communicate things more world-changing than any of us will probably ever create. The Declaration of Independence is a masterpiece of conciseness. The Gettysburg Address even more so (written at a time when 2 hour speeches were standard). And Richard Nixon’s resignation letter says exactly what it needs to, and not a single thing more.

People Are More Likely to Read and Use a One Pager

When I began my current job, I inherited a creative brief that was 3 pages long, with so many unnecessary questions that it was rarely filled out by account teams. In redesigning the brief, I insisted that it be no more than one page. The redesigned PDF form can now be filled out in a few minutes and gives a complete overview of a project with one glance—no flipping pages to have a question answered.

Even data dense documents can be reduced to one page. Thomson Reuters recently released a “one page” annual report. (Thanks to Ideatransplant for writing about this.) 

It’s okay to broaden the definition of “one page” as Thomson Reuters does. The handout that Edward Tufte distributes at his seminars is a single, double-sided 11×17 sheet folded in half. I guess it’s technically 4 pages, but it’s still probably more effective than a 20 page booklet. (And probably more green and cost-effective).

Fix your Content to Fix Your Design to Fix Your Content

My screenwriting professor in college was a tyrant when it came to format. Standardization of font, spacing and margins is very important for film scripts for many reasons (one page needs to equal approximately one minute of screen time, for example.) But she was also insistent that no block of one character’s dialogue could span more than one page. We would get downgraded if we ever used “cont’d” on the following page. “Fix your writing to fix the format,” she’d say. It sounds crazy, but her reasoning quickly became clear. Long blocks of dialogue generally were an indication that we were not telling our story visually enough and were just overwriting our dialogue. To fix the formatting, we had to spend extra time examining every word and line, which always made our writing more efficient, direct and effective. I honestly can’t remember a time when fixing the format did not result in better writing on the page. 

So, by fixing the content to fix the format, we ended up with stronger content.

Even in the context of a larger print document, it’s good to aim for one page segments. I just made some additions to the reading list page of a workbook I created. It took 20 minutes to get it back to a single page, but I think it was worth it.

Supergraphics

When discussing the philosophy of less is more, I always feel the need to bring up “Supergraphics.” These are a type of printed graphic which instead of reducing information, seeks to include as much relevant content as possible. Examples of supergraphics are train schedules or baseball box scores (or Tufte’s favorite example, Minard’s map of Napoleon’s Russian campaign.) What makes supergraphics different from essential one pagers is that with the former, the reader is generally interested in only one piece of the information—the 5:56 train home, for example.

But whether you’re interested in only a piece of information (train schedule) or the entirety of the information (employee review form), keeping to a single page drastically increases the effectiveness and the reader’s ability to process the information. All you have to do is think to the last time you had to use one of those large folded train schedules with the weekend trains on the back. Not as easy to use as it could have been, right? 

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Less Screen, More You

Good slides are important, but nobody will ever walk into a room to see your slides. An audience—be it your sales team, your clients or a conference audience is there to see and to hear YOU. Your presentation, like it or not, should be all about YOU.

Your slides are your backup singers. And nobody ever pays to hear the backup singers.

Here are a few ways to make your presentation more about YOU…

Wait to Turn on the Projector

If you begin your presentation with information on the screen, you’re already training your audience to focus on the screen and not you. A presentation that starts with an empty screen sets the expectation that your slides merely support the presentation, rather than being the presentation itself.

I keep a title slide up while my audiences are filing in (so they know they’re in the right room), but then put up a black slide just before I’m about to start. The first slide appears about 60 seconds into my presentation, but if you don’t need a slide for 10 minutes, there’s no reason to have one until then.

Let Your Slides Make No Sense

If you design your slides so that they make no sense without your narration and presence, then they serve as questions to your audience—questions that they will focus their attention on you to have answered. Like this slide to the right that comes from a seminar I give. The Twinkies serve as a visual metaphor for making the point that you should use stories to communicate your ideas. Still doesn’t make any sense? Good. That’s why my presentation needs me in the room.

No See-Say Slides

Don’t read your slides. If you put entire sentences on the screen it is nearly impossible not to read them. You can’t paraphrase sentences. But you can easily expound upon short phrases and words.

Use the “B” Key

When presenting in PowerPoint or Keynote, pressing the “B” key at any point will black out the screen for your audience. Since humans are naturally drawn to change, putting up a black screen during your presentation immediately refocuses their attention (especially if they’ve just seen 10 slides of bar charts.) A black screen is an awesome way of changing the pace and guiding your audience’s attention: to a prop, a handout, another speaker, to an asked question, etc. But mostly, a black screen brings attention back to YOU. Instantly, you will have all eyes back on you for a crucial point or message that you need to give. A black screen says, “Pay attention. I’m the presentation.”

Note that you can also press “W” for a white screen.

Be a Better Public Speaker

Okay, this one can be daunting: “Public Speaking Training” returns 11 million hits in Google and “Public Speaking” returns 7,326 entries on Amazon. Toastmasters is even still around.

There are a lot of corporate speech coaches and trainers out there and even more books on the subject, but I want to point out two particular resources that I love. Six Minutes is a fantastic website dedicated to speaking and presentation skills. There’s so much on the site (+ an email newsletter), that you should just browse around it when you can.

The second resource is a book I recently read. Scott Berkun’s Confessions of a Public Speaker uses sticky stories from the author’s own time on the speaking circuit to impart everything from larger general lessons to smaller tips and tricks. It a fun, quick read.

I’m starting to do more and reading and research specifically on public speaking. If you’ve got recommendations, send ’em on…

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Categories: Design, Presenting Live.

BajillionHits.biz

I recently got turned on to the hysterical Alex Blagg and BajillionHitz.biz.

I may be late to the party, but I love this guy’s presentations and interviews. 

And his slides are really good. My favorite below…

 

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Categories: Visual Thinking.

Video Editing with PowerPoint

 

Can PowerPoint be used as a video editor? Oh, yes…

Take a look at this great promo video by my friends at SOAP Presentations. Believe it or not, it was created 100% in PowerPoint…

Based in Brazil (but servicing clients world-wide), SOAP is one of the premiere presentation design firms. They have a large staff of writers, designers, producers—even a composer! They do great presentations in PowerPoint and also great video presentations. But for the latter, they’ve told me that at the end of the day, it’s just more time and cost-efficient to create their videos in PowerPoint. And I think the quality speaks for itself.

Glenn Millar at PowerPoint Workbench does a lot of video work in PowerPoint as well, really exploiting the program’s functionality. Take a look.

There have been a number of third party solutions for exporting PowerPoint to video, but PPT 2010 now exports directly to WMV format. Plus, the entire video handling has been overhauled in 2010, so if you’ve been frustrated in the past by broken links, flickering starts, limited control over playback and other issues, take a look at PPT 2010. It’s a huge leap forward.

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Categories: PowerPoint, Video.

Welcome to PresentYourStory.com

For a few years now, I have been writing a subscription-only newsletter on better presentation techniques called “Present Your Story.

If you’re not a subscriber and are wondering what I’m talking about, then you’re probably getting this email because we’re friends or we’ve talked presentation in the past and I think you might like the newsletter. (In any case, sign up here!)

I never wanted it to be, nor has it been, simply a newsletter on PowerPoint or creating better slides. “Presentation” casts a much wider net these days in the worlds of business, government, education and media to name just a few arenas. Today, we communicate through visuals more and more, and “presentation” has simply become the method by which many of us do our most important communicating:

It was a presentation by Colin Powell at the UN that convinced many to support the U.S. invasion of Iraq. Al Gore’s presentation on global warming brought attention to the issue like little before had. Today’s most influential consumer electronic and computer equipment is introduced in much anticipated presentations by Apple CEO, Steve Jobs. And the TED Conference has succeeded famously in creating forums that bring to the public’s attention through presentation the world’s greatest thought leaders and influencers. (I even had the pleasure of designing a Ted Talk last year.)

It’s Personal

At it’s heart, “Presentation” has always been for me about simply telling stories, something I’ve been doing since I was a kid.

I was actually a professional magician, juggler and circus performer throughout my teens, even performing with the Moscow Circus in the former Soviet Union when I was 14. I got a degree in dramatic writing and theatre, and then spent the next decade writing and directing stories on stages in New York and across the country. And then I found myself creating high-end business presentations for media companies, major television networks, leading foundations and Fortune 500 CEOs.

Today I make my living helping people tell their stories better visually and through presentation. As Director of Presentation for the Public Relations firm, Edelman in New York City, I’m proud to work for one of the most successful and recognized communicators in the business world. 

PresentYourStory.com

Present Your Story no longer lives only in your email inbox. Welcome to PresentYourStory.com, a place for strategies, tips and advice on presenting information on screen. Every newsletter has been archived to the website which is searchable. If you’ve enjoyed the newsletters, you’ll enjoy the site which will have a lot more original content, resources and links about the world of presentation and information design and visual communications.

“So, if there’s a website, should I still subscribe to the newsletter?”

Yes!

I will continue to send out the newsletter with what I consider the most useful information and tips. All newsletter content will also be posted to the site, but as a subscriber, you’ll get it first and delivered right to your inbox. Additionally, I hope to be able to make some special offers and invites available only to subscribers. I know it’s hard to regularly check in with a website, so I encourage you to stay subscribed and, as always, to tell you friends. 

Also, you can visit me on Facebook and on Twitter. I’ll be posting some slightly different and more frequent content here. (Of course, there’s also an RSS feed.)

Any Questions?

If you’ve got any questions about anything, including topics you’d like me write about (“What is this thing called ‘Prezi’ I keep hearing about?”), general frustrations (“How do I convince my client to use fewer words…?”) or technical questions (“How do I animate this in PowerPoint…?”), please email me at nolan@presentyourstory.com. I’ll be more than happy to help in any way I can.

Here’s to better presentation!

 

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Categories: Visual Thinking.
visual training presentation