Category Archives: Design

Design Schools and Presentation Design

 

I had the pleasure recently of attending the Syracuse University Design Senior Class Showcase in NYC. There is certainly a lot of design talent entering the work force right now, including (full disclosure) that of my cousin.

While much of the style of design struck me as overly layered and over-designed, that’s not unusual to see in academic projects. But it was nice to see restraint, white space and simplicity at least in the collection of business cards. And I loved seeing visual and chunked out information on a few of the resumes. 

Scroll down for links to all of the portfolios of the graduating seniors. 

But…I do have to say that for a department that grants degrees not in graphic design, but in communications design, I found the one professor I spoke to alarmingly dismissive and insulting of presentation design and other information design. A portion of our conversation:

ME: So, I saw a little data design in some of the annual report projects, but do you teach any specific classes in information or data design?

PROF: Well, we cover it in the context of other things.

ME: Do you offer any classes in presentation design?

PROF: I hope you don’t mean PowerPoint!

ME: I do. And Keynote, Prezi and other software tools…

PROF: Well, PowerPoint they can learn in a day if they want. I learned it in a day.

ME: Really? I find the vast majority of graphic designers who put “PowerPoint” as a skill on their resumes can’t begin to design an effective presentation. 

PROF: These students aren’t interested in that.

ME: Well, if they’re interested in earning good money in design, there’s a lot of work out there I’m sure they might be interested in even if it’s just to pay the bills at first…I would hire one of them in an instant, and also send print and branding projects their way as well—if only I saw some examples of presentation design in their portolios. And it can pay a lot more than entry-level web or packaging design if they can even find one of those jobs.

PROF: Well, I don’t have much time with them and there’s just so much we can teach [over the course of 4 years]

ME: But I thought you said it only took one day to teach it?

Okay, I didn’t say that last thing. I sighed and walked out. This isn’t the first time I’ve seen this attitude from design schools, and it truly is unfortunate. 

Design students spend up to four years (and a lot of money) learning all types of design that they may never choose or be able to do in the real world. But there’s value in learning web, package, print, layout, information, identity and wine bottle design even if you end up only designing mobile apps. 

The truth is though that most designers do need to be flexible and multi-faceted especially early in their careers. And if they find themselves engaged with a client, they should be able to properly respond when that client needs a TED talk or conference keynote presentation designed. They should be able to create the branding identity for a small company AND create an effective sales deck. They should be able to design a microsite for a client’s new IP AND create an effective Slideshare complement. They should be able to design the business cards for a startup AND the VC pitch presentation—and design it properly so their client can edit the budget at the last minute.

But then maybe I should be happy that design schools instill in their students such disdain for this one discipline of graphic design. When other graphic designers refuse or are unable to design presentations, that’s when I get calls from the Presidents, CEOs and Fortune 500 companies to work on their CES Keynotes, their TED Talks and client-facing sales tools. 

And those people pay pretty well. That tends to happen with things so few people know how to do…

If any recent design student is interested in making some money in graphic design working on presentations for me and my clients, let me know. I’ve got more high-end work than I know what to do with. The only problem is finding people who can use their graphic design talents to do it.

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Syracuse University Design Seniors

http://morganbegy.com

http://zulybeltre.com

http://sylviaboyddesign.com

http://katiecranley.com

http://seandanz.com

http://kristinderby.com

http://jenngubernick.com

http://chrisguimarin.com

http://maevehanlon.com

http://rachelheffner.com

http://kaitlinjuchniewicz.com

http://lizziekelner.com

http://susie-kim.com

http://tierneylatella.com

http://kelseyliggett.com

http://stephlin.com

http://jennalonczak.com

http://davidmanzler.com

http://daniellemargolis.com

http://alimartini.com

http://rebeccamass.com

http://meredithmendosa.com

http://monicamo.com

http://ginamoyer.com

http://angelapoccia.com

http://samproctordesign.com

http://elleshimkus.com

http://cassieskoras.com

http://tatianastephanis.com

http://jessicatuckdesign.com

http://laurenvanheyst.com

http://kateweiner.com

http://alexanderturk.com/

http://megandreisbach.com/

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Categories: Design.

Dear Massimo…


Even if you don’t know the name Massimo Vignelli, you have seen his work and his immense influence on graphic design over the past 50+ years.

We learned this from via Creative Review that Vignelli is quite ill and spending his last days at home.

His son has asked for anyone who has been influenced by his work to let him know and send letters to his home. More at Creative Review

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While all branding eventually needs a refresh, I do have to say that the American Airlines rebranding of Vignelli’s iconic work is…just plain awful? And that’s me being kind…

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And a copy of Vignelli’s graphics standards manual for the MTA was recently discovered at Pentagram’s offices. It’s just plain awesome.

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Categories: Design.

Slidedocs

Nancy Duarte and her firm Duarte Design have just released Slidedocs, their latest presentation book.

Continuing their trend of releasing books for free and in multimedia formats (see resonate), this latest is available for free download at their site in PowerPoint format. Though it seems odd to release a book as a PowerPoint file, in this case it is entirely appropriate as the entire focus of the book is creating print documents using PowerPoint, something Nancy calls “Slidedocs.”

Practical Business Solutions

I have known that Slidedocs has been in the works for a while, and I’m excited for its release as it addresses an uncomfortable truth about corporate environments that often goes unaddressed by many presentation experts: PowerPoint is used far more than just as a tool to create formal on-screen slideshows. I’m not talking about the amateur poster designs at the water cooler announcing a canned food drive (although that’s certainly a valid use), but rather high-stakes reports, memos, strategy documents, proposals and even white papers—things that once were the domain of Microsoft Word.

But Microsoft Word has become an entirely unusable program for most (myself included) if one wishes to inject any degree of design or complexity. This fact, coupled with the need for all types of communications to be more concise, produced more quickly and delivered more visually, has made PPT the default and de facto method of business communication creation.

We can debate whether this is a good thing or not, but it’s a fact. Unfortunately, PPT’s intrinsic design as “slideware,” leads most to create stereotypical on-screen slides even when their work will never see a projector or large LCD screen. (Microsoft’s default pages don’t help, pushing its users to make 44pt headers and 32pt body copy).

The trend toward using PPT to create print documents was something I started seeing years ago, and instead of fighting it, I have long advocated using PPT in 3 distinct formats:

Note: I’ll save the definition of a “Walking Deck” for another time, but let’s just say it’s a bit of a hybrid between the other two formats.

What I have always simply called a “Printed Document,” Nancy has termed a “Slidedoc.” I like the term, although I am still on the fence about whether it is too limiting, since what we really are talking about here is using PPT to create well-designed print documents as one might do in InDesign (although Nancy would disagree as we’ll see below).

A Quick Review

The book is well-designed, well-organized and offers a lot of practical examples. Unlike most business books, Slidedocs is appropriately heavy on the visuals. 

Slidedocs begins by making a case for using PPT for more text-heavy documents. But Nancy sees a Slidedoc as sitting in a unique place between on-screen presentations and documents: More textual than a presentation, but less so than a document. I won’t quibble here, because if this gets people thinking more like a document in appropriate cases, everyone benefits. (And yes, there still is a place in the world for a 50 page text white paper…it’s not a place I’d like to be very often, however…)

The book makes an excellent case for the use of hierarchy and organization (table of contents, navigation, headers, sub-heads, pull-quotes, etc), things severely lacking in most PPT creations. Nancy also reminds us of basic writing techniques such as active vs. passive voice, things which shouldn’t fly out the window, “just because it’s PowerPoint.” I was happy to see columned text and a grid layout as major characteristics of Slidedocs. Few people realize that PPT allows for columned text boxes and that spanning text across a landscape page in a single column makes for very difficult reading.

Book layout is often used throughout as a format to emulate, and it’s a good model for Slidedocs. I particularly love Nancy’s comparison of a company logo to a publisher’s logo: no need to put Random House on every page of the book, right?

It’s obvious that Duarte Design has developed the style of Slidedocs over the years in direct response to client needs, and there are good examples of Duarte’s work proving how useful the format can be as a pre-read to a presentation, as an “Emissary” (sent to an executive or client), as reference material or as a follow up to a meeting. The book is quick to point out often the utility of the format in the context of typical business situations where on-screen slides are not appropriate. And we all get the reminder that Slidedocs, like most things these days, needs to be scannable. Left unsaid is the sad fact that nobody is likely to read everything you write anyway…

For fans of Nancy’s other books, you’ll find some slight repetition in the areas of diagrams and charts, but nothing to prevent you from adding this to your presentation bookshelf.

Lastly, Duarte has kindly made available two Slidedoc templates for free download to get you started creating your own.

What’s Missing?

I do wish a bit more time had been spent on implementing grids and actual layout from a design perspective. But, as Nancy admits, she is not a graphic designer, but does employ and work with some very good ones. And again, the book itself is very well laid out. I also wish Nancy had explored more opportunities for creating portrait style documents with PowerPoint. She mentions it in passing, but I have actually had a lot of success using PPT in this format, and I think Duarte could really add something on the topic.

I have to disagree with the suggested use of Arial Narrow for headers. As I often say, if you’re using Arial Narrow, you’re writing too much. And since the type size on a Slidedoc is much reduced anyway, there’s no harm in reducing header sizes and still being able to use a better font. But I do love that Duarte makes healthy use of Georgia, a very overlooked standard font. And I also have to disagree with the statement that white space indicates a luxury brand. White space should always be used, even if your subject is beef jerky. It may just be that luxury brands generally have a higher sense of brand design, so they often make very good use of white space.

A Final Caution

One last thing left unsaid in Slidedocs is that at the end of the day, PPT is still an imperfect tool for creating these types of documents. It’s very good, but remember that you still do not have text linking from page to page, text wrap around images or paragraph and character styling. And just because things look great on your screen does not mean that the same file opened on your client’s or boss’s machine will look exactly the same—unless you create a PDF, something I would always recommend. Indeed, the initial release of Slidedocs had a few formatting glitches that appeared for some people. That’s just the way it goes when you publish a book in an editable format—that’s right, Slidedocs is just an ordinary old PPT file that you can edit intentionally or unintentionally yourself.

Slidedocs is one of the most important books on presentation and business document creation of the last few years. I highly recommend everyone download it and start putting its principles to use.

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Free Seminar: Presentation Design for Graphic Designers

I’ve long been a fan of Noble Desktop, the best sotware training company in New York, in my opinion. And on Tuesday, February 18, I’ll be giving a free seminar on Presentation Design for Graphic Designers.  

Unlike most of the training I do, this won’t be aimed at the average office worker, but at professional designers who might be interested in breaking into the increasingly lucrative world of presentation design.

I’ll be excited not to have to explain the difference between a raster and a vector file, but I’m sure I will also horrify some in showing how PowerPoint can replace InDesign in certain situations.

If you’re in the NY area, definitely come on down, but make sure to register as these things tend to up fast!

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Categories: Design.

Santa Rebranded

 

Quietroom, a UK agency, has rebranded Santa for our new age. Check out all the snarkiness and industry jargon here.

My two favorite slides below. White on white…

 

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Categories: Design.

Brilliant Minimalist Newspaper Ad

I caught this brilliant minimalist 2 page ad for the new film The Book Thief today in The New York Times today.

The best way to grab attention is to break a pattern. And for a reader of The Times, there is no more extreme a way to do this than to remove essentially all ink from the page.

Love this!

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Categories: Design, Simplicity.

What Your Slides Say About Your Ad Agency

So, I attended the Mirren New Business conference last week. It’s an industry event for creative agencies, and it attracts the top players both as speakers and attendees. There was a lot of talent, a lot of big personalities and a lot of slides. 

And if you think that a creative agency’s slides are an indication of the agency itself, well…here were some highlights…

The Good, The Bad and the Cocky

Jordan Zimmerman is loud, cocky and owns one of the most successful advertising agencies in the world. That’s him below, and that was one of his slides in which he explained how his competitors’ indifference to client bottom lines has allowed him to make millions of dollars and buy expensive homes. You can watch his talk here.

And then there was one of the hot young agencies of the last decade, Droga5. Represented by Chief Creative Office Ted Royer and New Business Director Chris Wollen, Droga5 presented…well, I don’t really remember a thing they talked about. Some case studies and something about solving business problems, but this was one of their slides below. If one wants to equate art and copy with slide design and content, then…I think both Peggy Olsen and Sal ordered one too many martinis at lunch today. And not to pile on, but at one point they actually used the phrase, “This slide is meant to say…”   

But then there was Global Creative Officer Nick Law from powerhouse R/GA. He gave an engaging talk centered on the evolution of advertising to today’s participatory landscape. He warned of falling into the “It’s all about storytelling” meme and reinserted technical systems back into the equation. His slides were incredibly simple, used only shades of red (for some reason, people feel they need to avoid red in presentations) and at the end of the day required next to no design skills to create—just perhaps a design mindset. Below is my favorite which was the centerpiece of his talk.

Each of the above speakers showed their agency’s work in fancy video case studies and commercials. But it was the slides that seemed to tell me the most about the culture and approach of each agency. If I was looking to hire an advertising agency, whose business card would I have collected at the conference based solely on their slides? If I was a CFO, I’d run after Zimmerman. If I was a thoughtful and design-centered CMO, I’d want to talk to R/GA. And Droga5? Um…have they put the coffee and cookies out yet?

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visual training presentation