Category Archives: Books

Slidedocs

Nancy Duarte and her firm Duarte Design have just released Slidedocs, their latest presentation book.

Continuing their trend of releasing books for free and in multimedia formats (see resonate), this latest is available for free download at their site in PowerPoint format. Though it seems odd to release a book as a PowerPoint file, in this case it is entirely appropriate as the entire focus of the book is creating print documents using PowerPoint, something Nancy calls “Slidedocs.”

Practical Business Solutions

I have known that Slidedocs has been in the works for a while, and I’m excited for its release as it addresses an uncomfortable truth about corporate environments that often goes unaddressed by many presentation experts: PowerPoint is used far more than just as a tool to create formal on-screen slideshows. I’m not talking about the amateur poster designs at the water cooler announcing a canned food drive (although that’s certainly a valid use), but rather high-stakes reports, memos, strategy documents, proposals and even white papers—things that once were the domain of Microsoft Word.

But Microsoft Word has become an entirely unusable program for most (myself included) if one wishes to inject any degree of design or complexity. This fact, coupled with the need for all types of communications to be more concise, produced more quickly and delivered more visually, has made PPT the default and de facto method of business communication creation.

We can debate whether this is a good thing or not, but it’s a fact. Unfortunately, PPT’s intrinsic design as “slideware,” leads most to create stereotypical on-screen slides even when their work will never see a projector or large LCD screen. (Microsoft’s default pages don’t help, pushing its users to make 44pt headers and 32pt body copy).

The trend toward using PPT to create print documents was something I started seeing years ago, and instead of fighting it, I have long advocated using PPT in 3 distinct formats:

Note: I’ll save the definition of a “Walking Deck” for another time, but let’s just say it’s a bit of a hybrid between the other two formats.

What I have always simply called a “Printed Document,” Nancy has termed a “Slidedoc.” I like the term, although I am still on the fence about whether it is too limiting, since what we really are talking about here is using PPT to create well-designed print documents as one might do in InDesign (although Nancy would disagree as we’ll see below).

A Quick Review

The book is well-designed, well-organized and offers a lot of practical examples. Unlike most business books, Slidedocs is appropriately heavy on the visuals. 

Slidedocs begins by making a case for using PPT for more text-heavy documents. But Nancy sees a Slidedoc as sitting in a unique place between on-screen presentations and documents: More textual than a presentation, but less so than a document. I won’t quibble here, because if this gets people thinking more like a document in appropriate cases, everyone benefits. (And yes, there still is a place in the world for a 50 page text white paper…it’s not a place I’d like to be very often, however…)

The book makes an excellent case for the use of hierarchy and organization (table of contents, navigation, headers, sub-heads, pull-quotes, etc), things severely lacking in most PPT creations. Nancy also reminds us of basic writing techniques such as active vs. passive voice, things which shouldn’t fly out the window, “just because it’s PowerPoint.” I was happy to see columned text and a grid layout as major characteristics of Slidedocs. Few people realize that PPT allows for columned text boxes and that spanning text across a landscape page in a single column makes for very difficult reading.

Book layout is often used throughout as a format to emulate, and it’s a good model for Slidedocs. I particularly love Nancy’s comparison of a company logo to a publisher’s logo: no need to put Random House on every page of the book, right?

It’s obvious that Duarte Design has developed the style of Slidedocs over the years in direct response to client needs, and there are good examples of Duarte’s work proving how useful the format can be as a pre-read to a presentation, as an “Emissary” (sent to an executive or client), as reference material or as a follow up to a meeting. The book is quick to point out often the utility of the format in the context of typical business situations where on-screen slides are not appropriate. And we all get the reminder that Slidedocs, like most things these days, needs to be scannable. Left unsaid is the sad fact that nobody is likely to read everything you write anyway…

For fans of Nancy’s other books, you’ll find some slight repetition in the areas of diagrams and charts, but nothing to prevent you from adding this to your presentation bookshelf.

Lastly, Duarte has kindly made available two Slidedoc templates for free download to get you started creating your own.

What’s Missing?

I do wish a bit more time had been spent on implementing grids and actual layout from a design perspective. But, as Nancy admits, she is not a graphic designer, but does employ and work with some very good ones. And again, the book itself is very well laid out. I also wish Nancy had explored more opportunities for creating portrait style documents with PowerPoint. She mentions it in passing, but I have actually had a lot of success using PPT in this format, and I think Duarte could really add something on the topic.

I have to disagree with the suggested use of Arial Narrow for headers. As I often say, if you’re using Arial Narrow, you’re writing too much. And since the type size on a Slidedoc is much reduced anyway, there’s no harm in reducing header sizes and still being able to use a better font. But I do love that Duarte makes healthy use of Georgia, a very overlooked standard font. And I also have to disagree with the statement that white space indicates a luxury brand. White space should always be used, even if your subject is beef jerky. It may just be that luxury brands generally have a higher sense of brand design, so they often make very good use of white space.

A Final Caution

One last thing left unsaid in Slidedocs is that at the end of the day, PPT is still an imperfect tool for creating these types of documents. It’s very good, but remember that you still do not have text linking from page to page, text wrap around images or paragraph and character styling. And just because things look great on your screen does not mean that the same file opened on your client’s or boss’s machine will look exactly the same—unless you create a PDF, something I would always recommend. Indeed, the initial release of Slidedocs had a few formatting glitches that appeared for some people. That’s just the way it goes when you publish a book in an editable format—that’s right, Slidedocs is just an ordinary old PPT file that you can edit intentionally or unintentionally yourself.

Slidedocs is one of the most important books on presentation and business document creation of the last few years. I highly recommend everyone download it and start putting its principles to use.

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Book Review: SmartStorming

Perhaps the most vital part of business—the part that separates great companies from average ones—is the very part that nobody really seems to have any process for: Ideation.

If innovation is, as any CEO will tell you, the most important thing for their businesses these days, why is brainstorming so often jammed in to crowded workday schedules and so often practiced with such disappointing and unproductive chaos?

We’ve all been there, and that’s why I am so excited that there is a new book on the scene that brings order to this chaos.

In SmartStorming, authors Mitchell Rigie and Keith Harmeyer draw on their years of creative experience in agency and corporate environments to provide an in-depth practical manual for ideation.

A Practical Systemization

What will be most valuable to the reader is not any never-before-seen revelations (although not including the boss in brainstorms was nearly one for me), but the practical and simple systemization of their brainstorming process and then the flexibility in their approach to scale things up, down and pretty much any way that fits an organization. Of course, an organization might get more out of a multi-day intensive ideation session with 20 people that utilizes handfuls of the techniques, but the authors present the reader with ways of implementing SmartStorming in shorter amounts of time, with fewer people and even by oneself.

And the book takes a look at the entire ideation process which includes preparation and, most importantly, idea selection criteria and follow-up.

While there is a degree of repetition in the book in that guidelines and specific techniques are presented and discussed at varying levels multiple times, I would say that the primary reason for this is to make the book work on different levels. It can be read straight through (as I experience it), but it can also and should be used as a reference guide, allowing the reader to zero in quickly on what they specifically need in preparation for a brainstorm session.

Specifically, in addition to the overall SmartStorming approach, readers will probably get the most out of the 20 idea-generating techniques (specific brainstorming methods), 25 ice-breaker activities, advice for “piloting” (guiding) an ideation session and the idea selection criteria and the six step session flowchart.

Beyond the Book

I have worked with and known Keith and Mitchell for years and have attended one of their live sessions. If you or your organization is serious about generating new thinking and solutions, pick this book up. And if you are really serious, give them a call for customized in-person trainings and sessions. Many, many top companies have done so…

More on their site, SmartStorming.com.

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Categories: Books.

Book Review: How to Design Ted Worthy Presentation Slides

Time was that I used to read every presentation book that came out. While I still have quite a full bookshelf on volumes dedicated to slides, I don’t always immediately rush to pick up every new book published on the subject.

But when I saw a new book called How to Design TED Worthy Presentation Slides, I was intrigued. Partly this was because this seemed to be the latest in a line of books from a rather prolific author I hadn’t heard of: Akash Karia. Akash is a professional speaker and coach, and his books have titles such as Public Speaking Mastery and How to Deliver a Great TED Talk.

Akash has mined dozens of TED talks for best practices and examples of what works best in the world of TED. (I was happy to see him make many references to one of my favorite well-designed TED Talks, Bill Gates’s Innovating to Zero.) There is nothing truly revolutionary here, and all of it has been noted and said many times before. Still, TED is the one place today where we can see a wide spectrum of presentations in similar formats, so the topic makes for very good material.

If you have read Garr Reynolds, Nancy Duarte and similar authors, it won’t surprise you to learn that…

  • The best backgrounds are the simplest ones
  • The rule of thirds works
  • One should stick to one or two fonts only
  • The less text, the better
  • One message per slide is key

For me though, there was one lesson that while obvious serves as a nice guiding rule for all presentations. Akash urges readers to consider a single question when creating slides:

Am I including this slide to help my audience or to help myself?

It’s a nice way of phrasing the old “WIIFMA” guideline (“What’s in it for my audience?”). I like it.

While the book is well-sourced throughout (i.e. “According to the Harvard Business Review blog…”), it is not terribly well-designed. It looks like it was written in Microsoft Word and then just outputted as a PDF, pulling screengrabs of videos from the TED website. That’s a shame, because the book might have had a wider audience given a bit more attention to its own presentation. 

Buy it here.

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Categories: Books, Presenting Live.

Book Review: How to Design Ted Worthy Presentation Slides

Time was that I used to read every presentation book that came out. While I still have quite a full bookshelf on volumes dedicated to slides, I don’t always immediately rush to pick up every new book published on the subject.

But when I saw a new book called How to Design TED Worthy Presentation Slides, I was intrigued. Partly this was because this seemed to be the latest in a line of books from a rather prolific author I hadn’t heard of: Akash Karia. Akash is a professional speaker and coach, and his books have titles such as Public Speaking Mastery and How to Deliver a Great TED Talk.

Akash has mined dozens of TED talks for best practices and examples of what works best in the world of TED. (I was happy to see him make many references to one of my favorite well-designed TED Talks, Bill Gates’s Innovating to Zero.) There is nothing truly revolutionary here, and all of it has been noted and said many times before. Still, TED is the one place today where we can see a wide spectrum of presentations in similar formats, so the topic makes for very good material.

If you have read Garr Reynolds, Nancy Duarte and similar authors, it won’t surprise you to learn that…

  • The best backgrounds are the simplest ones
  • The rule of thirds works
  • One should stick to one or two fonts only
  • The less text, the better
  • One message per slide is key

For me though, there was one lesson that while obvious serves as a nice guiding rule for all presentations. Akash urges readers to consider a single question when creating slides:

Am I including this slide to help my audience or to help myself?

It’s a nice way of phrasing the old “WIIFMA” guideline (“What’s in it for my audience?”). I like it.

While the book is well-sourced throughout (i.e. “According to the Harvard Business Review blog…”), it is not terribly well-designed. It looks like it was written in Microsoft Word and then just outputted as a PDF, pulling screengrabs of videos from the TED website. That’s a shame, because the book might have had a wider audience given a bit more attention to its own presentation. 

Buy it here.

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Categories: Books, Presenting Live.

An Afternoon with George Lois

I just spent a wonderful couple of hours with George Lois. George is an advertising legend and is rumored to be one of the inspirations for Don Draper (in a purely proffessional way, not a moral one!)

Edelman is promoting his current book, Damn Good Advice, and he spoke to a group of us here in the office today about his life, his work and the book.

The book is a collection of 120 rules for “unleashing creative potential,” and many are as brash and uncensored as George himself is. Some of my favorites…

#19: You can be Cautious or you can be Creative (but there’s no such thing as a Cautious Creative)

#43: Tell the Devil’s Advocate in the room to go to Hell

#58: If you think people are dumb you’ll spend a lifetime doing dumb work

#104: Learn to write one singular, coherent, informative, insightful, spectacular sentence to replace your illiterate off-the-cuff twittering!

Here is a pic of George presenting, showing one of his iconic campaigns. Yeah, he did that…

Oh, and he designed Esquire covers for years as well, including this famous one…

And here’s me giving career advice to George…not really…

 

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Categories: Books, Design, Simplicity.

Book Review: Visualize This by Nathan Yau

I have a confession: I’m not really a very good data designer. Okay, I’m pretty good at many parts of information design, but when it comes to visualizing hundreds or even thousands of data points and creating a beautiful and effective visualization, it’s fairly likely you’ll find me with my head down on my desk crying like a 4 year old.

The incredible data visualizations that you’ll find at The New York Times or Information is Beautiful or Visualizing.org make me insanely jealous. And so, I couldn’t wait to get my copy of Nathan Yau’s just-published guide to this whole mysterious world.

Nathan is a contributor to one of the pre-eminent sites on this topic, Flowing Data. I’ve been a fan and reader of both for a while.

While a number of other books have addressed data visualization, the ones I have read have mostly been concerned with the end products. Most are more coffee table book than how-to. Visualize This, on the other hand, may be the first true handbook for how to technically create so many of these interesting charts and graphs. 

The reader is taken step by step through the creation of numerous styles and categories of visualization. Sprinkled throughout are solid tips on design, statistics and other resources for those interested in this field. The book is written with a good sense of humor and practicality, and it rarely feels academic.

But, this isn’t to say that the material is easy to digest…

To be honest, I didn’t anticipate how technical this book was going to be. It wasn’t long into the book before Nathan started talking code. Code, as in Python, PHP, Javascript, HTML and his favorite, an open source program simply called “R.” From the descriptions, even a “program” like R still requires writing and pasting in lines of code to create charts. Don’t look for a user-friendly GUI. This is not your father’s spreadsheet program.

And speaking of Excel…well, there’s just not a whole lot spoken of it here. Despite the fact that many (but certainly not all) of the charts discussed can be created at least initially in Excel, and despite the fact that included in the book is a Flowing Data user survey showing that most (31%) of readers use Excel to visualize data, Microsoft’s program is largely ignored after a perfunctory introduction. The how-to’s in every chapter take the user through creating bar charts in R and donut charts in a coding toolkit called Protovis (wasn’t that the software company in War Games?) The introduction to the latter begins with, “The first thing you do is create an HTML page…” All this for a donut chart which is essentially a pie chart with a hole in the middle?

Perhaps the problem I have is not with the book’s decision to ignore more user-friendly solutions, but the fact that there are no powerful one stop shop user-friendly software solutions for data visualization. Even if one insists that I am just intimidated by coding (true), Nathan still explains that he imports almost all of his coded visualizations into Adobe Illustrator in the end to make them look good from a design standpoint. So clearly, all these software solutions only get you halfway there.

Perhaps someone will create the Adobe Photoshop or Final Cut Pro of data visualization one day. But until that time, anyone serious about playing in this space must have this book for the very detailed step by step instructions found within.

I really am a fan of Nathan and his work, but this is a book for a determined data designer who has the patience and drive to learn multiple new software and programming tools. My feeling is that this is an investment too involved for most graphic designers or for the average civilian who often presents data.

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